April 16th 1920

This letter is the second from a series of letters from the Carline brothers on their journeys as war artists working for the Imperial War Museum. This one is from Richard Carline, dated April 22nd 1919.

“We are back at Damascus once more, to fly over the places we are painting in this district. I came by train on Good Friday and Sydney flew over on Easter Sunday…

We have now practically finished our work on this front. I have taken my two flights over Damascus, and Sydney has done a sketch of the Sea of Galilee with the Turkish boats being attacked by our aeroplanes, and is in the midst of his sketches of attacking the Turkish army in the pass of the River Baroda, just outside Damascus…

Damascus makes a very good subject as is to be expected with such a beautiful place situated in such beautiful scenery. I am painting it from rather high. It is in the midst of its green fertile oasis of gardens and orchards, and behind it are the Anti-Lebanon Mountains rising up, and behind them snow-capped Mount Samnin.

I think it about time we left the country and the Headquarters are getting very impatient for us to go…

First we have to go to Cairo and I hope that we shall not be murdered by the natives, as the trouble in Egypt appears to be just as bad as ever… Life in these parts is more like the Cowboy West than anything, it being usual for a man to go about on horseback, with his revolver and ammunition pouch on his belt and his servant riding behind him…”

April 10th 1920

 The Goupil Gallery

The paintings and drawings of Sydney and Richard Carline of Egypt, Palestine, Mesopotamia, Persia, India have been exhibited at the Goupil Gallery in London throughout February and March.

The brothers wrote a series of letters back from their travels, which stretched from January until October 1919, whilst in the employment of the Imperial War Museum as official war artists, and they have kindly allowed us to print them in this term’s edition of the ‘Draconian.’

Their first letter from “near Malta” was written on January 11th, describing their journey from Havre to Marseilles on a troop train. Letters followed form Port Said and Ramleh and then, on February 9th 1919, Sydney wrote from Jerusalem:

“Dick started a water colour here of the Mosque of Omar, the great mosque on the site of Solomon’s temple.

This is a sketch of his picture of the mosque. It is in blue and yellow tiles, making the sides of it a beautiful colour, and having a black dome. Around it is a white marble court, surrounded by grass and paths, and surrounding that again in the distance are the walls of Jerusalem going sheer down for 50 ft.

The space around the mosque is most impressive, especially as the city wall that encloses it here is built on the edge of a ravine some 200 feet deep, on the other side of which are the Mount of Olives, Gethsemane, and the village of Bethany. In this ravine are thousands of tombs covering it on either side, as the Jews believe that the Resurrection will take place in this spot and like to be close handy.”