We are now settled into the Easter Term and our school production of ‘The Tempest’ was very well received. We are grateful to Hugh Sidgwick for his review, which gives star billing to Barbara Hilliard’s portrayal of Ariel:
“And then, hovering over and around these two and all the rest of the play, leading them at will, beguiling, enchanting, invisible and omni-present, we had the lovely vision of Ariel. It (I use the word advisedly, for this came nearer than any Ariel before to the ideal, sexless spirit of air and fire), it was the most beautiful thing I have ever seen on the stage; presence, gesture, motion and voice alike were exquisite.
Ariel intoxicated our senses so completely that I fear we hardly did justice to her acting; but apart from everything else it was a masterly reading of the character and of the play. Ariel made all the points with clearness and certainty, grasped exactly and revealed to us what was going on and interposed her presence among the deluded mortals always at the right moment and in the right way.
It is difficult to say how much the success of the play owed to her, and in particular to her most delicate and airy singing of the beautiful music of Purcell and Arne (Englishmen both, thank heaven, and much better at Shakespeare than Schubert and Mendelssohn).
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I believe that an acting knowledge of at least one of Shakespeare’s plays is an important and useful part of an OPS education.
Shakespeare has indeed aided and abetted 2nd Lieut. Maurice Jacks (KRRC), in giving us Maurice’s location in France without falling foul of the censor:
“Being more or less conscientious I cannot tell you exactly where ‘here’ is, but if you remember where Polonius was stabbed, you will be within reasonable distance of the spot.”
Young Dragons will surely work this out – but can you?